Filipino Paolo’s txt style sets trend
It is said that the
Philippines is the “Text Capital” in the world. The fact reveals that the 97%
of the Filipino community of all ages have possessed cellular phones called “a
fashion gadget”. With this number, 90% have dramatically become “hard texters”.
“Hard texters” never call but engage on sending Short Messaging System (SMS)
incessantly.
According to the country’s
giant service providers, the Smart Communications and the Globe Telecom, their
respective networks receive millions of SMS every tick of a second. Smart alone
registers about 8 million SMS every minute.
But the question is: How
does Juan Dela Cruz (A Pinoy’s popular icon) send text messages (short for
SMS)?
Paolo Miguel Padpad, a
15-year-old student of Negros Occidental Science High School in Victorias City,
Negros Occidental, has developed and conceivably set a trend that most
youngsters crave to adopt in their “text life”. Though the text style looks
thorny and tricky, the words Paolo often types in his cellular phone have the
artistic and creative touch that speaks of his ingenuity.
“2hrz”. That’s for 2
hours. “Pxalod” is for “pasalod”. “nYc”, nice. “pWeTty”, pretty. “fHyNe”, fine.
“oKieZ”, okay. “eLoWiEz”, hello. “xUmMr”, summer. “pHwEeiZz”, please.
“lHuBLyF”, lovelife. And, “lHuBLotzHh”, love lots.
Other text words include
“bE bLeZzd”, “mHuAkZzH”, “eiNquEzHu”, “hOwZ”, “uRz”, “yHuP”, “waT” and
“maTtrZ”.
Instead of typing “what’s
the matter?”, Paolo keys in “waTz D maTtrZ?” And, how’s your life, he rather
forms “hOwZ uR Lyf?”.
If we will weigh up those
crafts formulated by Paolo, there is still a fine syntax in the text words.
In 1976, as a 27-year-old
Ph. D. student, now Dr. Graham Rawlinson put forward the theory that skilled
readers can understand text, even if the letters of the words are jumbled up.
“aoccdrnig to rsceearh at an Elingsh uinervtisy, it deosn’t mttaer in what
order the ltteers in a word are, the only iprmoantnt thing is that the frist
and lsat lteers are at the rghit pclae. This is bcuseae we do not raed ervey
lteter by itself but the word as a wlohe.”
Has Paolo’s art of texting
something to do with Rawlinson’s theory?
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